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Prueba de color

Probando el color
como quien prueba que el paso del tiempo
no deja indiferente
y nos sacude por dentro.

La tinta inyectada
en una sábana de acantilados
a la que llamamos
papel
rebosa azules.

Mis manos
goteando alergia
no se atreven a hollar
la maculada portada.

Probando el color
imagino radiación
del espectro electromagnético
mezclándose en los conos de mi retina
decidiendo
juguetear con mis emociones
engañándome
y haciéndome creer
que lo que veo
es lo que ves.

Como quien prueba que el paso del tiempo
no nos mata,
no nos vive.

Logos sobre azul

Para el libro colectivo de este curso estoy apostando por un papel de un color azul intenso como cubierta, con una imagen sencilla e impactante en la portada, pero los logos que habitualmente uso son de color rojo y no quedan muy bien sobre azul.

He hecho algunos experimentos con inkscape para ver con qué versión me quedo, pero de momento he pedido 10 ejemplares con un rojo sobreiluminado por si hay suerte y queda bien… pero no lo creo.

Ya veremos.

Color Piel

Me llama la atención cómo interiorizo cierto racismo, que podríamos tachar de microrracismo, como el de llamar «color piel» al color de la gente que tengo en la mayoría alrededor, olvidándome de que el color de la piel no es ni mucho menos algo homogéneo en el mundo y que la expresión «color piel» invisibiliza o tacha de «otras pieles» aquellas que no corresponden con el patrón denominado como tal.

Supongo que así, dentro de este pecado, es donde resulta comprensible la exigencia de buscar espacios para personas «racializadas«.

Es posible que no únicamente sea un mal hábito europeo (culturalmente hablando), sino global, pero no sé si se utiliza esta expresión más allá de lo que yo la conozco. Soy tan limitado…

En resumidas cuentas, hay pieles que han sido denominadas:

Pieles rojas, negras, marrones, amarillas, blancas, rosas, anaranjadas (es el habitualmente usado en el mundo del arte, llamándose color carne), etc, etc, etc.

Esto no es una broma